Saturday, June 4, 2011

ELIZABETH I by Margaret George, 2011.

A huge, sprawling saga spanning the later part of Elizabeth Tudor's reign from 1588-1603. I have always been a fan of long and involving historical novels of this nature, and of Margaret George's in particular, and this one did not disappoint me. Ms. George knows her history and she knows how to weave and spin out her stories, involving the reader and keeping their attention throughout.  In this novel, Elizabeth herself narrates the bulk of the story, but interwoven with her narrative is that of her most famous cousin and rival, Lettice Knollys. These two make a good counterpoint to each other: Elizabeth's and Lettice's lives became forever intertwined when young Lettice came to Elizabeth's court and became involved with Robert Dudley, the Earl of Leicester, and Elizabeth's love. After the Queen refuses to marry him, and Lettice's first husband dies, Dudley and Lettice secretly marry. Once their marriage is revealed,  Elizabeth, hurt and enraged, banished them both from court; she forgave Dudley and recalled him, but Elizabeth swore she'd never forgive Lettice for what she considered her betrayal. When this novel opens, the Spanish Armada has left Spain and is threatening England's future. By the end of the novel, Lettice, still alive and residing quietly in the country in 1634, is reminiscing to her grandchildren about her life and that of her glittering and powerful cousin.

George quite simply brings the entire Elizabethan era to life in her writing. Her use of period detail is wonderful and adds so much to the novel's meaning, and she writes so elegantly and vibrantly about the many colorful characters of that glorious era. The story is filled with enthralling people and events: the Armadas (there were four); the continuing problems in Ireland with the O'Neill; Sir Francis Drake and Sir John Hawkins and their piracy against Spain; Sir Walter Raleigh and his attempts to found a colony in the New World of Virginia; the Irish heroine Grace O'Malley; the Cecils, father and son, who ran the English government between them; Shakespeare, Edmund Spenser, John Donne and other literary lights; the mystical Dr. John Dee; Sir Francis Walsingham, who managed the Queen's elaborate spy network; Robert Devereux, Lettice's son and Elizabeth's last, and most tragic, favorite, and so many others. This is a rich, dense, and juicy book--it contains among its pages enough court scandals, gossip, political intrigue, executions, religious strife, and financial dealings to fill several books. At the center of everything is Elizabeth, always in the thick of it, always thinking and puzzling and scheming and attempting to maintain her power and control at all costs. And in the background was Lettice, the one woman she could not control.

George creates some wonderful scenes within this story, fictional and otherwise: Elizabeth at Tilbury speaking to the troops gathered against the Armada; Elizabeth's meeting with the wild and unruly Grace O'Malley; Elizabeth spontaneously attending a goose fair while on a Progress; Lettice juggling relationships with three different men, but only truly in love with one of them; Lettice and Shakespeare discussing several of his plays as he writes them, and Lettice's attempts to help her son, Robert, and slowly coming to the dreadful realization that he is doomed. One of the most moving sections is near the end of Elizabeth's life, when the aging queen and her cousins Catherine Carey and Lettice Knollys arrange to meet at Hever Castle, the ancestral Boleyn home, never visited by any of the three before. Here, amidst a secret bower once used by Henry VIII and Anne Boleyn, Lettice and Elizabeth come to an understanding, lay to rest old rivalries and ghosts, and finally find forgiveness in each other.

In this book, Margaret George definitely used all her writing skills to bring these larger than life figures to life in these pages. I thoroughly enjoyed the witty dialogue, clever exchanges and asides, and humor that she injected into the lives of her characters. The scene in which Elizabeth's godson John Harington installs the newly invented water closet in Elizabeth's chamber is quite funny in its description. In every detail, George has created a believable world long gone and made these real historical people human in every way. She has outdone herself totally and written a meticulously researched and powerful novel about two women who were alike in so many ways--looks, intelligence, wit, strength of character, charm, courage, craftiness--and manages to give an entertaining and complex portrait of how they lived--the choices they made (or were made for them), the different paths they followed, and how their lives intertwined and played out across the broad and richly woven tapestry of their world. Enjoyable for historical fiction fans, especially those of the Elizabethan period. Highly recommended.

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